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The tongue should be as high as possible. Anchor — The top of the mouthpiece should be firmly on the upper teeth. I highly recommend thick mouthpiece patches See the article explaining why here. If there is any way your band program can just pay to get them for all your clarinetists it is well worth the investment.
If not, send out an email to parents asking them to get them as soon as possible. They should be securing the mouthpiece to the top teeth by pressing up at the angle of the instrument. Not directly up to the ceiling, but more up into the teeth, mouth. Have the student smile and pull the corners back. Then have them move the corners as far forward as they can. Tell them that the forward feeling is what they should feel when playing — never smiling. It should resemble at drawstring purse.
The chin should be flat. See how I teach clarinet embouchure here. Air Stream — Fast, cold air across the reed. Have them hold their hand out in front of them about 2 feet in front of their face. Have them try to blow air on their hand in a fast, focused air stream.
Tell them when they blow they are not blowing down the instrument, they are blowing across the reed to make the reed vibrate. Have them try playing again, and as they are playing put your hand 2 feet in front of their face. Just as with the stringed instruments, the smaller woodwinds play higher pitches while the longer and larger instruments play the lower notes. The history of the clarinet is a long history beginning in During that year a man named Johann Cristoph Denner invented the clarinet.
These clarinets only had two keys that were mostly made from brass along with the springs. Bell: The bell of the clarinet is the the flared section at the end of the instrument. The bell helps to project sound and improve the tone of lower notes. While some clarinet players swear by tuning rings, they are not necessary. Also, keep in mind that they need to be taken out to tune to a higher pitch, and can start buzzing when you tune a bit lower. If you're not up for the slight hassle, it's best not to use tuning rings.
To figure out the concert pitch of notes played on the E flat clarinet, transpose down a major sixth. To figure out the concert pitch of notes played on the A clarinet, transpose down a minor third. Typically also includes cleaning and lubrication of key hinges. Some shops will also replace felt and cork key silencers and any corked key pads at this level, others won't.
First, try a softer reed or sand down one of your existing reeds a bit. If you're still getting a fuzzy tone on a softer reed, try this: If so, try to figure out exactly where the problem is: your mouthpiece, reeds, or clarinet.
Try every different combination of old and new clarinets, mouthpieces, and reeds. It might be worth having your clarinet checked out by a good repairman.
If the reed is too soft, you might get it too. Most reed manufacturers sell reeds in strengths from 1 to 5, often in half-steps. A 1 would be the softest, and a 5 would be the hardest. Some brands use "soft", "medium", and "hard" instead. The clarinet uses a single reed made of one piece of wood, while the oboe and bassoon use a double reed made of two pieces joined together. Just as with the stringed instruments, the smaller woodwinds play higher pitches while the longer and larger instruments play the lower notes.
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